Ángel ARRANZ is a composer, sonologist and musicologist.
 
As a composer, his work centers on the development of modular structures, the exploration of intermediate domains between traditional instruments and electronics and sound spatialization. His music utilizes time as a constructional matter through applied mathematics, unifying the domains physical, structural, notational and DSP by means of organicism, morphology of natural forms, correlated spatiality and fractal geometry.
 
As a sonologist, he performs pieces by numerous composers through technical/artistic production at important venues, among others: Alberto Posadas, Kees Tazelaar, Richard Barrett, Jan Boerman, Dick Raaijmakers, Gottfried Michael Koenig, Babis Giannakopoulos, Johan Van Kreij, Juan José Eslava, Carlos Satué, Josué Moreno, Germán Alonso, Raquel García Tomás, Nuria Giménez Comas, Teresa Carrasco, Abel Paul, Siamak Anvari…
 
He is a PhD in Musicology specializing on the history of electronic music. His research examines space as a musical transversal concept, especially through the perspective of analog-acousmatic historical electronic music to date and algorithmic composition.

Ángel is the founder and Artistic Director of The DK <projection>, a independent multi[inter]disciplinary group whose creative stimulus is the use of technology as a vehicle of musical and artistic transformation, created at one of the world's most vibrant hubs of classical electronic music and media art: the Institute of Sonology in The Hague [NL].

www.angelarranz.com
www.thedkprojection.com


 

Extended bio

 
 

www.thedkprojection.com

contact angel [at] angelarranz [dot] com

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